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Accolades

Nominated – 2017 Critics’ Pick Award for “Outstanding Set Design” – Production: Miss

Nominated – 2017 Critics’ Pick Award for “Outstanding Set Design” – Production: Tough Jews

Nominated – 2017 Dora Mavor Moore Award for “Outstanding Scenic Design” – Production: Tough Jews

Nominated – 2016 Dora Mavor Moore Award for “Outstanding Scenic Design” – Production: Of Mice and Men

Winner – 2016 My Theatre Award for “Outstanding Set Design” – Production: Of Mice and Men

Nominated – 2015 My Theatre Award for “Outstanding Set Design” – Production: the Last Days of Judas Iscariot

Winner – 2015 My Theatre Award for “Outstanding Set Design” – Production: Lakeboat

 

 

“Adam Belanger’s directorial debut is a stunning achievement.”

– Istvan Dugalin on “Isaac’s Eye“, Mooney on Theatre.

 

“Director and set designer Adam Belanger deserves special mention for creating such an ingenious set.”

– Christopher Hoile on “Isaac’s Eye”,  Stage Door.

 

“Adam Belanger’s directorial debut is strong. The pacing of the piece is spot-on, moving between the comedic and the grotesque so quickly that I often paused to wonder what exactly I was laughing at.”

– Rhiannon Collett on “Isaac’s Eye”, NOW Magazine.

 

“The first thing you notice when you enter the Theatre Machine is the amazing set … Belanger has incredibly created an air of spaciousness in a venue that is anything but spacious.”

– Christopher Hoile on “Lakeboat”,  Stage Door.

 

“I was astounded by the set which converted the small Unit 102 theatre into a masterpiece.”

– Dana Ewachow on “Of Mice and Men”, Mooney on Theatre.

 

…impressively realistic and detailed…”

– Jordan Bimm on “The Late Henry Moss”, NOW Magazine.

 

“He truly is peerless among independent designers and it’s the consistent on-sight wow factor of his elaborate builds that gives Unit 102 its edge over shops of a similar size.”

Kelly Bedard on “Miss”, My Entertainment World.

 

“Adam Belanger’s set of a run-down one-room adobe shack is masterful”

– Lynn Slotkin on “The Late Henry Moss”, The Slotkin Letter.

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